Sunday, November 30, 2025

Did the American war poet John Allan Wyeth spy on Nazi activities in the 1930s while posing as a landscape painter?

      

       From 1932 to 1938, the American war poet, John Allan Wyeth travelled an annual circuit around Europe which allowed him to indulge his new-found passion for landscape painting. He spent each winter and spring in Paris at the Académie Moderne, studying painting under Jean Marchand, then spent the summer at Berchtesgaden in Bavaria and, finally, the autumn at the Schule Schloss Salem on the grounds of the old Cistercian monastery north of Salem. Also, at some point during each of these yearly circuits, Wyeth found time to visit Cyprus and Greece for more painting.

The classic expatriate idyll

            On the face of it, Wyeth, like numerous other American and British ex-soldiers of a literary or artistic bent, was leading the classic expatriate idyll between the wars which has since passed into legend, following the well-worn circuit from Paris to the Alps to the Riviera to the Greek islands.  The wrinkle in this picture is his time each year in Bavaria, at the Schloss Salem and in the Bavarian resort town of Berchtesgaden.  What may not be evident to every reader will  be immediately apparent to historians of interwar Germany. Schloss Salem Schule was the principal training ground of the Nazi Youth movement, and Berchtesgaden was the summer home of Adolf Hitler, Albert Speer, Hermann Goering, and several other top Nazi officials. In addition, both locations had associations with the Windsors, the English Royal family.  Wyeth’s six-year stint at these locations coincided both with Hitler’s assumption of the German Chancellorship, and with Prince Philip’s enrollment at Salem.

One artist among so many Nazis

            So why was Wyeth there? The Nazi presence in Berchtesgaden, especially, would have been impossible to ignore. It is conceivable that Wyeth was there for the same reason that so many German and foreign tourists were flocking in, in increasing numbers, to stare at, and pay homage to, Hitler. But nothing in what we know of Wyeth through his few letters and through his family, suggests that he was in any way sympathetic to fascist ideology.

            The other possibility, that Wyeth was an observer for British intelligence, using the personae of a plein air artist as a cover for spying on Nazi activities, is a more plausible explanation. On the face of it, the idea of Wyeth as an undercover agent may seem unlikely. He was more an aesthete than an adventurer. According to Edmund Wilson, Wyeth attended literary gatherings at the Charter Club in Princeton, but spent all his time playing Debussy on the piano. He was never a natural mixer, and cultivated few friendships. He was also a homosexual, which may have increased his natural reticence. There was little of the dashing James Bond about him.

Wartime intelligence officer

            But there was another side to John Wyeth. As  Division Interpreter on the General Staff of the American 33rd Division during the war, Wyeth was an experienced intelligence officer. He was one of a small number of officers in G-2, the division intelligence section (the G-2 office is depicted in two of Wyeth’s sonnets.). He would have been present at enemy interrogations, and would have translated captured enemy documents. He was also entrusted with delivering intelligence information from division headquarters to brigade and battalion headquarters at the front.  After the Armistice, Wyeth served for almost a full year in Germany with the Army of Occupation. Among its manifold responsibilities was the observation of political activities, particularly of those groups who were struggling for control of the government. The political intelligence gathered during this period would form the basis for assessing the rise of the Nazis a decade later. As an experienced intelligence officer, Wyeth would have had a role in this work.

            With this in mind, it is easy to see the value Wyeth would have had as a knowledgeable observer for British or American intelligence just as the Nazis were consolidating their power. Outside of Berlin and Munich, the center of Nazi power was to be found in Bavaria, and it was there, against a backdrop of Alpine splendour, that many of the Nazi’s most secret deliberations took place.  

British or American intelligence?

            On the question of whether Wyeth would have been working for the British, or for the Americans, one can only speculate. I favor the British option for several reasons. First of all, American intelligence between the wars was far less developed than the British, and their concern was almost entirely with domestic “subversives,” which is to say Bolshevik or Communist, rather than Fascist. Whatever presence American Intelligence had in Europe between the wars was minor compared to the British presence. Second, the Schule Schloss Salem, because of the Royal family’s connection to it, as well as its key role in the development of Nazi ideology, would have been of particular interest to the British. And third, because the 33rd Division was under British command during the war, Wyeth’s intelligence work would have known to British Intelligence from 1918 on. Wyeth spent time in England after the war and, during the 1920’s, lived almost entirely in Europe. The British would have had easier access to him than the Americans.

            In many respects Wyeth had just the qualities MI6 valued in an agent. The most important asset by far, of course, was his two years’ experience in military intelligence and his fluency in German and French.

            In addition, Wyeth possessed qualities which would have enabled him to move easily through the upper strata of European society. He had an Ivy League education, was fluent in several languages, was widely educated in the classics, history and the arts, and was accomplished as a writer, painter and pianist.  With a cosmopolitan New York upbringing, his long acquaintance with individuals the likes of F. Scott Fitzgerald and Edmund Wilson, his extensive travels throughout Europe, he could have held his own conversationally in almost any company.

            Another of Wyeth’s assets in the eyes of British Intelligence may well have been his homosexuality. Never mind that it was still illegal in England and elsewhere. To the pragmatic MI6 recruiter, a homosexual was a man with years of experience leading a surreptitious life and thus a man with all the right instincts. Leading a double life, undercover, was almost inconceivably difficult, as no amount of training could prepare you for all the little unforeseen situations that could trip you up. In the end, it was more a matter of instinct than training, and the social sensitivity to read the most subtle interpersonal signs—a talent not often found in the heterosexual male.

            If Wyeth were a paid observer for MI6, it would explain how he was able to support a more comfortable lifestyle than his circumstances should have allowed him. According to his family, he had little apparent means of support while he was pursuing his avocations as poet and painter between the wars. His prosperous older brother, the successful Palm Beach architect Marion Sims Wyeth, periodically sent his younger brother checks to help “tide him over.” During Wyeth’s six years in Rapallo, he apparently lived with his sister, Florence Sims McLean, her husband John, and their twelve-year-old daughter Jane. But he gave that up when he decided to live in Paris part of the year to attend the Académie Moderne and spend the rest of each year in Bavaria, with side trips to Cyprus and the Greek islands. 

            While at Schule Schloss Salem, Wyeth stayed in the Gasthof zum Schwanen on the old monastery grounds of the school, the finest hotel in the vicinity. It would have been the first choice of visitors to the Schule, including Nazi officials and party members.

            The particulars of Wyeth’s living situation in Berchtesgaden, on the other hand, are unknown, but in his letter to Mr Merck, he wrote that he “was domiciled” there for six years, which sounds rather as though someone might have been financing his situation.  In both Bavarian locations, not to mention his terms of study in Paris and travels to the Greek islands—however frugally he might have managed his affairs—it is difficult to see how he could have maintained himself for six years without some more reliable means of income. However he managed to subsist—indeed, to thrive—for six years, he never revealed those means to his family. The likeliest explanation (again, without evidence) is that he was subsidized by MI6.

Schule Schloss Salem

               The Headmaster of Schule Schloss Salem, Kurt Hahn, was sympathetic to the Nazi cause, but considered Hitler an extremist. Hahn was also part Jewish, and soon gained the enmity of the SS.  In the summer of 1933, he fled to England, and established a similar school in Scotland, where the Windsors sent many of their sons. Hahn later worked in the Foreign Office of the British government, where he urged appeasement with the moderate faction of the Nazi party.

               Schloss Salem was at first valued by Hitler as a bridge to Britain's ruling elite, and he shielded it from the more extreme elements of the Nazi party. But after October 1933, when Hitler removed Germany from the League of Nations, and a year after Wyeth’s arrival there, the school was taken over by the Hitler Youth.

               Prince Philip of the House of Windsor (future husband of the current Queen) spent a year at Schloss Salem beginning in that same fall of 1933. With events deteriorating so rapidly, he remained only long enough to finish the term, after which he was removed by his family and brought back to England.

               After Philip's departure, Schule Schloss Salem began playing an ever more prominent role in the doctrinal education of Nazi youth.  Among important Nazi officials who visited the school (in some cases repeatedly), was Baldur Von Schirach, leader of the Youth of the German Reich; Bernhardt Rust, Education Minister for the Reich, who introduced a Nazi National Curriculum; and Hans von Tschammer-Osten, the "Reich Sports Leader", who controlled all sports activities in Germany.

               In his letter, Wyeth referred to Schule Schloss Salem as the finest school in Germany. Certainly it attracted an elite clientele. In addition to young Prince Philip, the son of Thomas Mann and the nephew of Rudolf Hess were students there.

            From 1932 to 1938, Wyeth appears to have travelled an annual circuit around Europe which allowed him to indulge his new-found passion for landscape painting. He spent each winter and spring in Paris at the Académie Moderne, studying painting under Jean Marchand, then spent the summer at Berchtesgaden in Bavaria and, finally, the autumn at the Schule Schloss Salem on the grounds of the old Cistercian monastery north of Salem. Also, at some point during each of these yearly circuits, Wyeth found time to visit Cyprus and Greece for more painting.


Wyeth, in traditional Bavarian dress, painting en plein air
outside of Berchtesgaden, Bavaria, summer 1937. 

Berchtesgaden

               Just a few months after Wyeth arrived in Bavaria (early summer, 1932), Hitler assumed the Chancellorship of Germany. Soon thereafter he purchased a small chalet in the mountain resort of Obersalzberg, immediately above Berchtesgaden where Wyeth had taken up residence.  Over the next two years he had the chalet renovated and enlarged, and dubbed the Berghof  (“Mountain Court”).  Under the direction of his deputy, Martin Bormann, who oversaw the renovations of the Berghof, the entire Obersalzberg resort was taken over and its native residents either bought out or evicted.  Neighboring farms and properties were bought up until the entire compound comprised nearly ten square kilometers.   Barracks were constructed for SS guards, garages, a guesthouse for visiting dignitaries, footpaths and roads, heavy fencing, walls and gates. High-level Nazis, including Hermann Goering, Albert Speer, Heinrich Himmler, and Bormann himself, built lavish houses within the perimeter.

               Berchtesgaden and Obersalzberg had always attracted tourists, but once Hitler and his entourage arrived, the crowds swelled. The renovations at Obersalzberg were designed, in part, to keep them at bay. If Wyeth’s assignment was to report on developments at Obersalzberg, and the traffic in and out, he would need a number of high, elevated vantages, and a convincing cover (“landscape artist”) to explain his presence in such places.  Wyeth was tall (6 ft.), slender, with light brown hair and blue eyes, dressed as a native Bavarian and spoke fluent German. As a hiker and painter with a taste for Alpine scenery, he would have been just one of many.

               Had Wyeth remained in Bavaria continuously for six years, he might have eventually attracted attention, but by timing his arrivals and departures to coincide with the tourist season at Berchtesgaden, and the fall term at Schloss Salem, he would have found it easier to remain inconspicuous.

               To repeat, this is all just conjecture. I have been unable to find much information on how such agents or observers were actually deployed in the field. The primary histories of British Intelligence in Germany between the wars all deal with activities at the highest level, and offer next to nothing on individual observers.

               One source which does offer a certain amount of insight into intelligence gathering by an individual observer is the biography of C.K. Scott Moncrieff, Chasing Lost Time, by Jean Findlay. There are numerous parallels between Scott Moncrieff and Wyeth. Both were intelligence officers during the war, both were poets and translators, both were Catholic and both were homosexual.  Moreover, both lived in Rapallo, Italy, for a time (Scott Moncrieff in 1924, and Wyeth by 1926), and both knew Max Beerbohm.  It is not difficult to imagine that their social circles overlapped.

               During the war, British intelligence had about a hundred agents in the field in Italy.  Immediately after the war, this number was greatly reduced, but by the early ‘20s the rise of fascist movements in Italy made it clear that more agents would have to be recruited. 

               Scott Moncrieff’s duties included keeping an eye on railway terminals and shipping ports, and sending in reports on what he observed. The entire arrangement was surprisingly casual. Scott Moncrieff was not told where or when to travel, and his movements were not interfered with in any way.  He was simply asked to report on what he saw wherever he happened to be.

               This raises the possibility that Wyeth may have begun his intelligence work while still in Italy.  His decision to begin studies in Paris in 1932 was the result of a chance encounter with the English painter Duncan Grant in Cassis-sur-Mer on the French Riviera in May of that year. Grant urged him to study painting at the Académie Moderne in Paris and gave him a letter of introduction to the French artist Jean Marchand. Wyeth immediately returned to Rapallo, settled his affairs, and moved to Paris. Then, sometime during the summer, after a short initial term of study with Marchand, Wyeth moved to Berchtesgaden.


Berchtesgaden in the 1930s


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Excerpted from the chapter "Poet, Painter, Spy: Did John Allan Wyeth report on Nazi Activities for British Intelligence during the 1930s?" in the book Before the Clangor of the Gun: The First World War Poetry of John Allan Wyeth by BJ Omanson (Monongahela Books, 2019).

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